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Showing posts with label young adult. Show all posts
Showing posts with label young adult. Show all posts

Friday, August 3, 2018

R.L. Stine Continues to Frighten

Written  by Jon Williams

The calendar may have just flipped over to August, but as far as we’re concerned, it’s never too early to start thinking about Halloween. You can look forward to plenty of Halloween media ideas from us between now and October, and what better way to kick it off than with a master of the creepy tale, a man whose work has been the basis for countless pleasant shivers in the dead of night? After an early career writing humor aimed at kids, R.L. Stine eventually came to the conclusion that he’d rather frighten them. His first kids’ horror novel, Blind Date, was published in 1986, and the rest is history. According to his website, he’s written well over 300 books in the intervening 32 years, including a number of wildly popular series.

By far his most well-known series is Goosebumps. Begun in 1992 with Welcome to Dead House, the classic series ran through 1997 and comprised a total of 62 books. Goosebumps has taken on a life of its own with a number of spinoff and companion series, some of which continue to this day. One of those is called SlappyWorld, featuring Slappy, a ventriloquist’s dummy come to life with scary stories of his own to tell. Slappy made his first appearance very early on, in 1993’s Night of the Living Dummy, and became a primary antagonist in the 1995 follow-up. From there he took on a life of his own, so to speak, appearing in several HorrorLand books (yet another Goosebumps-adjacent series) before spawning his own series in 2017’s Slappy Birthday to You. There are currently five books in the series, with Escape from Shudder Mansion just releasing late in July, and more to come.

Of course, popular as it was and still is, Goosebumps was not Stine’s first book series. That honor goes to Fear Street, which started in 1989 with The New Girl. Recent titles in this series include Party Games and Don’t Stay Up Late. Also released in late July, You May Now Kill the Bride is the first book in a new Return to Fear Street series. And Fear Street fans can look forward to renewed interest in the series, with Fox recently announcing plans for three theatrical films to be based on stories from the books.

And although Stine has made his name in the world of publishing, he is certainly no stranger to the screen. As his writing career was gaining traction in the early 1990s, he helped create and wrote for the children’s TV series Eureeka’s Castle. Shortly thereafter, Goosebumps was turned into an anthology TV series that ran for four seasons. In 2007, the movie The Haunting Hour: Don’t Think About It was made, loosely adapted from a book of Stine’s short stories, and that too was spun off into a successful anthology series, winning a number of Daytime Emmys among other awards. And in 2015, Goosebumps became a feature film starring Jack Black as R.L. Stine himself. A sequel, Goosebumps 2: Haunted Halloween, is due in theaters in October.

R.L. Stine has been giving young readers the creeps for more than thirty years now, and in so doing, has inspired generations of kids to develop a love of reading that has carried them into adulthood (and adults who grew up reading him as kids should check out Red Rain, his grown-up horror novel written in tribute to longtime fans). As his popularity expands with each new book and movie, continue to share his work with eager young readers and listeners. You can search his name on our website for all his works we carry in audiobook and Playaway, and point your patrons to hoopla, where they can find a wide selection of his books in both audio and eBook.

Wednesday, February 20, 2013

CYBIL Awards Honor Children’s Lit

Written by Jon Williams

On Valentine’s Day last week, the 2012 CYBIL Award winners were announced. For those of you who are unfamiliar, the Children’s and Young Adult Bloggers’ Literary Awards are given to the best books published in the U.S. and Canada in a given year. Titles are nominated mostly by the public, and judged by a panel of volunteers who write for blogs dedicated to children’s and young adult literature.

Here’s a look at some of this year’s winners:

The False Prince by Jennifer A. Nielsen (Fantasy & Science Fiction): The first book in a planned trilogy, this book deals with a precocious orphan named Sage who is thrust into the middle of a brewing war engulfing his medieval kingdom.

Seraphina by Rachel Hartman (Fantasy & Science Fiction): In the kingdom of Goredd, the decades-long peace treaty between humans and dragons is nearing its anniversary, and tensions are high as Seraphina, a court musician, is drawn into a murder mystery.

Wonder by R.J. Palacio (Middle Grade Fiction): Auggie is a youngster who has always been homeschooled due to illness and a facial deformity. How will he react—and how will others react to him—when he starts going to a mainstream school?

Bomb by Steve Sheinkin (Nonfiction): Sheinkin details the thrilling true-life story of the race by Germany, the United States, and the Soviet Union to be the first to develop nuclear weapons during World War II.

For these winners and a list of other great titles nominated for this year’s CYBIL Awards, click here.

Thursday, August 25, 2011

Dystopian Lit: YA's Next Big Thing

First it was witches and wizards or teens with various magical powers. Then came vampires and werewolves and paranormal romance. Now the young adult literature world is brimming with dystopian and post-apocalyptic tales. Why are these seemingly dark themes striking such a chord with today’s youth?

What Is Dystopian and Post-Apocalyptic Literature?
Utopia, of course, is the concept of the perfect society, first explored in Sir Thomas More’s 1516 novel.1 Dystopian literature takes that concept and flips it, portraying a society that is often oppressive or stricken with poverty. George Orwell’s 1984 is perhaps the best-known example of dystopian lit. Post-apocalyptic lit takes it a step further, showing a world in which society has, for the most part, collapsed due to some catastrophic event, such as a nuclear war (a recent entry in this genre is The Road by Cormac McCarthy, which was selected for Oprah’s book club in 2007).

Sounds pretty bleak, doesn’t it? And yet something in these tales calls out to teens and keeps them coming back for more. The New York Times offers a great resource for exploring dystopian fiction and YA readers’ attitudes toward it.

Dystopian Fiction
Dystopian novels, for both kids and adults, have been around for a long time, but those for the YA set are enjoying a recent surge in popularity. The Hunger Games trilogy by Suzanne Collins is just one example of this type of story. In it, young people are forced to compete each year in a televised murder-fest for the entertainment of society’s elites, who live in the Capitol. As in most dystopian fiction, the protagonist struggles against her society’s rules, eventually seeking to overthrow the system altogether.2

The difference between dystopian fiction for kids and that for adults is that adult stories are usually grimmer. The Hunger Games, for instance, provides a happy conclusion; 1984 does not. The age range of readers, however, may not be vastly different for the two books—The Hunger Games is recommended for readers aged fifteen and up, and 1984 is on many high school (14-18) reading lists. But The Hunger Games, specifically geared toward younger readers, offers a more hopeful tone.

The reasons for this are simple. Adult dystopian tales generally offer a warning of the consequences of some current trend or worry.2 YA dystopia, on the other hand, is often written as an allegory for the lives of teenagers themselves. After all, an oppressive and restrictive society makes a lot of sense for teen readers surrounded by authority figures (teachers, parents, etc.) and ready to test the boundaries. As YA author Scott Westerfield points out in his blog, “Teenagers’ lives are constantly defined by rules, and in response they construct their identities through necessary confrontations with authority, large and small. Imagining a world in which those authorities must be destroyed by any means necessary is one way of expanding that game. Imagining a world in which those authorities are utterly gone is another.”3

That being the case, it’s easy to see why these stories tend to end happily. Teens reading them as reflections of their own lives aren’t going to relate to stories that don’t offer any hope.

For a list of great works of dystopian fiction, click here.

Post-Apocalyptic Romance
Post-apocalyptic fiction often reads almost as a sub-genre of dystopian lit, but it does offer some themes of its own. Instead of a repressive society, for instance, there may be no society to speak of, having been wiped out in whatever catastrophe led to the state of humankind portrayed within. Now many authors are taking it a step further by adding the element of romance.

The post-apocalyptic part of the story appeals to YA readers for much the same reason dystopian lit does: the protagonist struggling against all odds to survive and figure out a world that no longer makes sense.4 The romance aspect appeals to them for obvious reasons as well as they’re generally discovering that part of their lives themselves. In that sense, these novels carry on the popularity of Twilight and the paranormal romance genre that spawned from it.

In Your Library
Publishers Weekly blogger Josie Leavitt has noticed that some parents struggle with their children reading books that deal with such dark topics.5 She argues, though, that teens identify with these stories for the reasons mentioned above, and that parents should talk to librarians and booksellers to help determine what reading material is appropriate for their children.

What do you think of this trend in YA literature? Are dystopian and post-apocalyptic stories flying off the shelves at your library? Give us your thoughts in the comments section below.

1 http://en.wikipedia.org/wiki/Utopia_%28book%29
2 http://www.newyorker.com/arts/critics/atlarge/2010/06/14/100614crat_atlarge_miller?currentPage=all
3 http://www.tor.com/blogs/2011/04/teenage-wastelands-how-dystopian-ya-became-publishings-next-big-thing
4 http://booksandauthorsblog.com/archives/1245
5 http://blogs.publishersweekly.com/blogs/shelftalker/?p=5015