Written by Kyle Slagley
There has long been a crossover between Hollywood and
Broadway—whether it be actors like Neil
Patrick Harris, Nathan
Lane, Hugh
Jackman, or most recently Tom
Hanks jumping from the stage to the screen, or directors like Sam
Mendes who flit from behind the curtain to behind the camera. Stories
themselves also transcend mediums and anyone who knows anything about theatre
can also rattle off a half a dozen shows that are also movies: Sound
of Music, Lion
King, Big
Fish, Legally
Blonde, Chicago,
and yes, even Shrek.
Although it got very mixed reviews from critics and
theatergoers—which are pretty much the same thing since theatre fans are some
of the most critical people I know—the box office success of Les
Miserables has more than likely opened the floodgates from a steady trickle
to what will be a full-out tsunami of shows turned movies and movies turned shows.
One that I am looking forward to in particular is the Christmas
2014 release of Into the
Woods, which looks to have a powerhouse Hollywood cast lined up. The show
takes the storylines from Cinderella,
Jack and the Beanstalk, Little Red Riding Hood, and Rapunzel and weaves them all together
using original characters The Baker and his wife, who are pitted against a
witch. I mean, you can’t have a good fairy tale without a witch, right?
It seems to me that films like this—ones that take a very
well-known musical with a hyper-devoted following and put it on screen—usually
appeal to only one audience, either the film crowd or the theatre crowd, but
rarely both. In order to make money at the box office, filmmakers are now
padding the cast with Hollywood A-listers. It seems to me that this will
further entice moviegoers to see it, but in the long run as the trend
continues, it will alienate the theatre crowd. Though there is obviously a lot
more money in getting movie buffs to the movies than getting theatre buffs to
the movies.
It remains to be seen how much of the original Stephen
Sondheim music from the stage production makes it into the film, or how much
the actors will sing. Rest assured, though, that if the film makes money (and
with a cast like that, it will), it’s only a matter of time before we see Russell
Brand taking on the role of Rum
Tum Tugger.
Written by Jon Williams
Well-known
American writer Richard Matheson passed away on Monday. He was 87.
I Am Legend,
about a lone human survivor of a pandemic that has turned the populace into
bloodthirsty vampires, has been adapted into a movie three separate times: The
Last Man on Earth starring Vincent Price (1964), The
Omega Man with Charlton Heston (1971), and I Am
Legend with Will Smith (2007). Interestingly, it also influenced the
development of zombie films, as it served as the inspiration for Night
of the Living Dead, which has been a major influence on the horror
genre. Matheson himself influenced many horror writers in his own right, among
them Stephen King, Joe Hill, and Anne Rice. King and Hill teamed up to write
the story “Throttle” in homage to Matheson’s story “Duel”; the two stories can
be found together in an audio compilation entitled Road
Rage.
Matheson’s most
recent novel, Other
Kingdoms, was published in 2011. His voice will surely be missed by the
genres he worked in and heavily influenced. For a full list of Richard Matheson
audiobooks offered by Midwest Tape, click
here.
Four new titles leap atop this week's DVD list, headed by spinoffs of classic fantasy tales Hansel and Gretel and The Wizard of Oz. Heavy metal legends Black Sabbath take the music chart's top spot with 13, their first album with original lead singer Ozzy Osbourne since 1978. The top two fiction titles remain the same, but five new titles make the list; the non-fiction titles just shuffle their spots.
DVD
- Hansel & Gretel: Witch Hunters
- Oz the Great and Powerful
- Cloud Atlas
- Snitch
- Warm Bodies
- Escape from Planet Earth
- Safe Haven
- Mama
- Gangster Squad
- Parker
CD
- Black Sabbath, 13
- Daft Punk, Random Access Memories
- Justin Timberlake, The 20/20 Experience
- Big Time Rush, 24/Seven
- Florida Georgia Line, Here's to the Good Times
- Darius Rucker, True Believers
- Blake Shelton, Based on a True Story...
- Goo Goo Dolls, Magnetic
- Man of Steel Soundtrack
- The Lonely Island, The Wack Album
Fiction
- Inferno, Dan Brown
- And the Mountains Echoed, Khaled Hosseini
- Bad Monkey, Carl Hiaasen
- The Silver Star, Jeannette Walls
- The Eye of Moloch, Glenn Beck
- The King's Deception, Steve Berry
- The Last Original Wife, Dorothea Benton Frank
- Revenge Wears Prada, Lauren Weisberger
- The Hit, David Baldacci
- Zero Hour, Clive Cussler and Graham Brown
Non-Fiction
- Happy, Happy, Happy, Phil Robertson and Mark Schlabach
- American Gun, Chris Kyle and William Doyle
- Lean In, Sheryl Sandberg and Nell Scovell
- Dad Is Fat, Jim Gaffigan
- Keep It Pithy, Bill O'Reilly
- Eleven Rings, Phil Jackson and Hugh Delehanty
- The Guns at Last Light, Rick Atkinson
- Let's Explore Diabetes with Owls, David Sedaris
- The Duck Commander Family, Willie and Korie Robertson and Mark Schlabach
- The Unwinding, George Packer
Written by Kyle Slagley
Rapper and hip-hop artist Kanye West is nothing if not
unconventional, and his latest album, Yeezus,
which hit shelves on June 18, is no exception. Not only did West keep sales
(including pre-orders) on the album completely closed until the scheduled street
date, even the casing is something we’ve never seen. Below is a photo of what
you’ll get when you buy it.
As you can see, there is no cover art on either the front or
the back and there is no booklet included, simply the orange sticker that seals
the case under the standard shrink-wrap. The back of the case does include a
nearly transparent sticker indicating the track listing and various credits.
The disc itself has small white print around the outer edge with basic album
information.
In an effort to best represent the album as West intended,
Midwest Tape customers whose processing package includes digital cover art will
receive the album with the cover art pictured below. The spine will show a copy
of the barcode sticker so the album is identifiable.
If you have any questions, please contact our Customer
Service department at (800) 875-2785 or by email at info@midwesttapes.com.
Written by Jon Williams
The
entertainment world was rocked on Wednesday night by the tragic passing of
actor James Gandolfini. He was 51.
Gandolfini
was best known for his role as mob boss Tony Soprano in HBO’s hit series The
Sopranos. Playing the part demanded a mix of violence and
vulnerability, and Gandolfini was more than equal to the task. He won three
Emmy Awards (and was nominated for Outstanding Lead Actor each season) for his
portrayal of the character during its six-season run. The show itself was
recently named the Best Written TV Show Ever by the Writer’s Guild of America.
Gandolfini’s
co-stars have expressed their shock and sorrow at the actor’s passing. “He was
a man of tremendous depth and sensitivity,” said Edie Falco, who played Tony
Soprano’s wife Carmela. Steven Van Zandt, who played the Soprano family’s
consigliere Sil Dante, said, “The world has lost one of the greatest actors of
all time.” And Sopranos creator David
Chase called Gandolfini “…a genius…he was my brother in ways I can’t explain
and never will be able to explain.”
Sadly, that
wasn’t the only loss the media industry suffered on Wednesday. Vince Flynn,
author of political thrillers featuring agent Mitch Rapp, lost a battle with
cancer on Wednesday. He was 47.
Former
Presidents Bill Clinton and George W. Bush counted among Flynn’s fans. In fact,
his portrayal of the CIA and its methods were known for being so accurate that
President Bush once asked him where he got his information.
Flynn’s
first novel, Term
Limits (which is not a Rapp story), was published in 1997. His second
novel, Transfer
of Power, was the first to feature Rapp, and there are currently 13
novels in the Rapp series. The fourteenth, The
Survivor, will be published in October.
He also consulted on the fifth season of the Fox series 24.
Click
here for a complete listing of Flynn’s novels.
|