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Showing posts with label Tony Awards. Show all posts
Showing posts with label Tony Awards. Show all posts

Friday, May 2, 2014

Tony Award Noms Snub Hollywood Actors

Written by Kyle Slagley

Tuesday afternoon, the nominees for the 68th Annual Tony Awards were announced, recognizing the best of the best among Broadway’s ranks. I must say that this set of awards is one of the most interesting to watch, mainly because the nominees often consist of both well-known stage actors and famous movie and TV actors.

Screen actors who try their hand at stage acting have become a very common occurrence in recent years. It wasn’t too long ago that we saw the likes of Tom Hanks, Philip Seymour Hoffman, Andrew Garfield, and Scarlett Johansson in the headlines of Playbill.

This year, there were also plenty of big-screen actors on the stage, but a few who were thought to be shoo-ins – at least for the nomination round – were snubbed, most notably Daniel Radcliffe for The Cripple of Inishmaan, Denzel Washington for A Raisin in the Sun, and Sirs Patrick Stewart & Ian McKellen for No Man’s Land and Waiting For Godot. What makes it strange is that all of these actors have received such glowing reviews in recent weeks, the snubs are almost blindsiding. Throw in the fact that Michelle Williams was overlooked for her fantastic performance in the revival of Cabaret, and it’s clear that Hollywood simply wasn’t invited to the party this year.

One screen actor who was not overlooked was Breaking Bad’s Bryan Cranston, whose performance as Lyndon B. Johnson in the play All The Way earned him a nomination for Best Actor in a Leading Role in a Play. Cranston’s nomination is definitely deserved, but even still it is a bit unusual in that All The Way is his very first foray into Broadway theatre. The same is true for Chris O’Dowd, who received a nod in the same category for his performance as Lennie in Of Mice and Men. O’Dowd is still an up-and-coming name in Hollywood, but is well known in Britain for his role as Roy in the BBC Series The IT Crowd.

The nomination that excites me the most though, Neil Patrick Harris’s nod for Best Actor in a Leading Role in a Musical for his performance in Hedwig and the Angry Inch. Though I haven’t seen Harris perform as Hedwig (pronounced Head-vig), I’ve read quite a few of the reviews and have yet to read a negative word about his performance. What’s so exciting is that Harris has been a Broadway star for over a decade, and was famously snubbed by the Tonys about ten years ago when he rose to Broadway stardom playing Lee Harvey Oswald in Assassins. Since that time, Harris has all but taken over Hollywood as everyone’s favorite womanizer Barney Stinson. Having hosted the Tony Awards four times without actually having won one, I’d say it’s about time he was recognized for his talent. If you don’t believe me, watch last year's opening sequence for the 2013 Tony Awards.

Yes, as USA Today said, the Tony Awards really took care of their own this year, giving nods to regulars like Idina Menzel for If/Then, Sutton Foster for Violet, Audra McDonald for Lady Day at Emerson’s Bar and Grill, and in the process left most of Hollywood on the sidelines..

Though it’ll be hard to top last year’s opening sequence, if anyone can do it, this year’s host and Broadway veteran Hugh Jackman is the man who can. Having hosted the Tonys three times and the Oscars once, Jackman is an experienced emcee himself. If there isn’t another walk-on bit between Jackman and Harris about who hosted the show better, I’ll be floored.


The Tony Awards show takes place at Radio City Music Hall in New York on June 8 at 8pm EDT, and will be aired live on CBS.

Wednesday, April 10, 2013

2013 Tony Award Talk

Written by Kyle Slagley

For your patrons who, like me, have affection for theatre, this is an exciting time of year. The Tony Award nominees are going to be announced on April 30 by Jesse Tyler Ferguson and Sutton Foster.

Ferguson currently stars on the ABC comedy Modern Family, but has his roots in theatre, having starred in On The Town, The 25th Annual Putnam County Spelling Bee, and a variety of Shakespeare productions.

Foster is currently starring in the ABC Family series Bunheads. She has a long list of Broadway credits, but most notable among them are her Tony Award-winning roles in Thoroughly Modern Millie and Anything Goes. She was also nominated for Tony Awards for her roles in Little Women, The Drowsy Chaperone, and Shrek: The Musical.

I am by no means a Broadway authority, but here are some musicals to watch this year. Most of them also happen either to be based on a movie or have a movie adaptation.

Kinky Boots – based on the 2006 film that you didn’t even know existed, this musical tells the story of Charlie Price, a young man who inherits his father’s shoe factory that is nearly bankrupt. With the help of Lola, they revitalize the business by developing a fantastic line of shoes for a very niche market – drag queens. Despite the name, the show isn’t all that risqué and will likely be up for Best New Musical.

Jekyll and Hyde – You know the story, but did you know the original production starred Mr. Baywatch himself, David Hasselhoff? The original show ran for three and a half years with over 1,500 performances. The soundtrack and a DVD from the original cast are still available, and a rerecording with the revival cast wouldn’t surprise me since this show will be in the running for Best Revival of a Musical.

Breakfast at Tiffany’s – Who could forget the classic film with Audrey Hepburn? It’s arguably the first film people think of when someone says her name. Starring Emilia Clarke (Game of Thrones) as Miss Holly Golightly, this production will almost certainly be in the running for Best New Play.

Cat on a Hot Tin Roof – Although the play itself has gotten mediocre reviews, it’s likely that Scarlett Johansson will receive a nom for Best Actress; whether she’ll win is another story. The show itself is eligible for Best Revival of a Play, but with competitors like Alan Cumming’s creepy-awesome interpretation of MacBeth, Al Pacino’s Glengarry Glen Ross, and Jim Parsons’s Harvey, it may or may not make the initial cut.