Written by Kyle Slagley
Tuesday afternoon, the nominees for the 68th
Annual Tony Awards were announced, recognizing the best of the best among
Broadway’s ranks. I must say that this set of awards is one of the most
interesting to watch, mainly because the nominees often consist of both
well-known stage actors and famous movie and TV actors.
This year, there were also plenty of big-screen actors on
the stage, but a few who were thought to be shoo-ins – at least for the
nomination round – were snubbed, most notably Daniel
Radcliffe for The Cripple of
Inishmaan, Denzel
Washington for A
Raisin in the Sun, and Sirs Patrick
Stewart & Ian
McKellen for No Man’s Land and Waiting
For Godot. What makes it strange is that all of these actors have
received such glowing reviews in recent weeks, the snubs are almost blindsiding.
Throw in the fact that Michelle
Williams was overlooked for her fantastic performance in the revival of Cabaret,
and it’s clear that Hollywood simply wasn’t invited to the party this year.
One screen actor who was not overlooked was Breaking
Bad’s Bryan
Cranston, whose performance as Lyndon B. Johnson in the play All The Way earned him a nomination for
Best Actor in a Leading Role in a Play. Cranston’s nomination is definitely
deserved, but even still it is a bit unusual in that All The Way is his very first foray into Broadway theatre. The same
is true for Chris
O’Dowd, who received a nod in the same category for his performance as
Lennie in Of
Mice and Men. O’Dowd is still an up-and-coming name in Hollywood, but
is well known in Britain for his role as Roy in the BBC Series The IT Crowd.
The nomination that excites me the most though, Neil
Patrick Harris’s nod for Best Actor in a Leading Role in a Musical for his
performance in Hedwig
and the Angry Inch. Though I haven’t seen Harris perform as Hedwig
(pronounced Head-vig), I’ve read quite a few of the reviews and have yet to
read a negative word about his performance. What’s so exciting is that Harris
has been a Broadway star for over a decade, and was famously snubbed by the
Tonys about ten years ago when he rose to Broadway stardom playing Lee Harvey
Oswald in Assassins.
Since that time, Harris has all but taken over Hollywood as everyone’s favorite
womanizer Barney Stinson. Having hosted the Tony Awards four times without
actually having won one, I’d say it’s about time he was recognized for his
talent. If you don’t believe me, watch last
year's opening sequence for the 2013 Tony Awards.
Yes, as USA Today said, the Tony Awards really took care of
their own this year, giving nods to regulars like Idina
Menzel for If/Then,
Sutton
Foster for Violet,
Audra
McDonald for Lady Day at Emerson’s
Bar and Grill, and in the process left most of Hollywood on the sidelines..
The Tony Awards show takes place at Radio City Music Hall in
New York on June 8 at 8pm EDT, and will be aired live on CBS.
Written by Kyle Slagley
I’m pretty sure it’s safe to say that most serious fans of
today’s rap and hip-hop music can rattle off a few details about the life,
career, and murder of the late Tupac
Shakur. It’s also probably safe to say that most of today’s rap and hip-hop
artists will acknowledge Tupac’s influence over the entire genre in a very
short amount of time.
Tupac’s fame was short-lived, but his influence enormous. He
began to gain notoriety around 1991 while performing with the group Digital
Underground. That same year, he
released his first solo album, 2Pacalypse Now. In the next five
years, he would produce four more solo albums and act in seven films. On
September 7, 1996, at the age of 25, Tupac was shot in Las Vegas by rival gang
members on his way from the MGM Grand to Club 662 (now known as the
restaurant/club Seven). He died on September 13.
Six additional solo albums and three of his seven films were
released after Tupac died. The big news earlier this week was that the Broadway
musical made from his music has announced it will premiere sometime later this
year. The show, titled Holler if Ya Hear
Me, is reportedly set in the present day in a fictional Midwestern
industrial city and tells the story of two childhood friends as they grow up on
the inner-city streets.
Holler if Ya Hear Me
is not the first full-length Broadway production to be made from the music of a
single artist. In recent years the show Jersey Boys, featuring the music of Frankie
Valli & the
Four Seasons, has seen huge success. A few years ago, Mamma Mia, featuring the music of ABBA,
was extremely popular, and Movin’
Out was drawn from the songs of Billy
Joel. Today, the most popular show made from repurposed pop songs is
probably Rock of Ages featuring some of the
top songs from ‘80s rock bands.
According to Playbill.com, Holler if Ya Hear Me will run at the Palace Theatre and officially
open on June 19 after three weeks of preview performances. It replaces the 2012
revival of Annie.
Written by Kyle Slagley
Disney Theatrical Productions is at it again, this time in
the jungles of India with Mowgli, Bagheera, and Baloo in tow. I read in Variety not too long ago that the 1967
animated film The
Jungle Book has made its debut as a main-stage production this year.
Most folks are familiar with the Rudyard
Kipling classic story of a boy raised by wolves in the jungle, the animated
film having been a staple for parents for nearly 50 years. With classic songs
like “Bare Necessities” and “I Wanna Be Like You,” it’s unsurprising that Disney
Animation decided to transport the story from the screen to the stage.
According to Variety,
the show is a partnership between Disney Theatrical Prods and two different
theatres, Chicago’s Goodman Theater and Boston’s Huntington Theater. It
premiered at the Goodman in June and has just extended its run for the third
time; the Huntington responded by extending their run as well, even though the
show doesn’t premiere until September 7.
Founded in 1993, Disney Theatrical Prods (like every other
arm of the Mouse House) is no stranger to wildly successful shows, and since
Disney has that annoying habit of sending movie favorites back into the Disney
Vault, the stage shows are a great way to tide fans over between releases.
Beauty
and the Beast – Premiering in 1993 in Houston, Texas, the Broadway
production began previews in April of 1994. Based on the 1991
animated film (now “in the vault”), the show finally closed in 2007 after
more than 5,400 performances. Touring productions have hit over 14 countries.
Not bad for being the first stage show Disney ever produced.
The
Lion King – Following the huge success of the 1994
animated film (in the vault), the musical debuted in Minneapolis in July of
1997; three months later, in October, it was a smash success on Broadway.
Expanding on the music of the film, and putting some of the most majestic
costumes ever seen on stage (and in the audience!) have ensured that even now,
more than fifteen years later, the show is still running and consistently one
of the highest grossing shows on Broadway. If you consider yourself a theatre
fan and haven’t seen this show, shame on you.
Mary
Poppins – The infamous British nanny, immortalized by Julie
Andrews on the silver screen in the 1964
film (in the vault), made her debut on the Great White Way in 2006 after
finding success in the UK. The first of the Disney
Live Action films to be adapted to the stage, it ran until March of this
year when it closed after 2,619 performances. This story makes it back to the
movie theaters this fall in “Saving Mr. Banks,” a biopic starring Tom
Hanks and Emma
Thompson about Walt Disney and P. L. Travers, author of the original
book.
Newsies
– One of the hottest new musicals on Broadway right now, the show was supposed
to have a limited run beginning in late March of 2012. After being extended to
mid-August, Disney announced on May 16 that the show will continue
indefinitely. Based on the
1992 film starring Christian
Bale, which chronicles the real-life Newsboys Strike of 1899, the show was
written by Broadway legend Harvey
Fierstein. It was reported in May that producers are trying to find a
theater in London’s West-End to host a production for the spring of 2014.
Aladdin
– Having already premiered in Seattle in 2011, the show bounced to St. Louis in
2012, and will land on Broadway at the New Amsterdam Theater (home of Mary Poppins before it closed) sometime
in 2014. Residents and visitors to Toronto will have a short window from
November 13 to January 12 to catch a performance at the Ed Mirvish Theater
before it lands for good in New York.
Written by Kyle Slagley
For your patrons who, like me, have affection for theatre,
this is an exciting time of year. The Tony Award nominees are going to be
announced on April 30 by Jesse Tyler Ferguson and Sutton Foster.
I am by no means a Broadway authority, but here are some
musicals to watch this year. Most of them also happen either to be based on a
movie or have a movie adaptation.
Kinky Boots –
based on the 2006
film that you didn’t even know existed, this musical tells the story of
Charlie Price, a young man who inherits his father’s shoe factory that is
nearly bankrupt. With the help of Lola, they revitalize the business by
developing a fantastic line of shoes for a very niche market – drag queens.
Despite the name, the show isn’t all that risqué and will likely be up for Best
New Musical.
Jekyll and Hyde –
You know the story, but did you know the original production starred Mr.
Baywatch himself, David Hasselhoff? The original show ran for three and a half
years with over 1,500 performances. The soundtrack
and a DVD
from the original cast are still available, and a rerecording with the revival
cast wouldn’t surprise me since this show will be in the running for Best
Revival of a Musical.
Breakfast at Tiffany’s
– Who could forget the classic
film with Audrey Hepburn? It’s arguably the first film people think of when
someone says her name. Starring Emilia Clarke ( Game of Thrones) as Miss Holly Golightly, this production will almost certainly be
in the running for Best New Play.
Cat on a Hot Tin Roof – Although the
play itself has gotten mediocre reviews, it’s likely that Scarlett
Johansson will receive a nom for Best Actress; whether she’ll win is
another story. The show itself is eligible for Best Revival of a Play, but with
competitors like Alan
Cumming’s creepy-awesome interpretation of MacBeth, Al
Pacino’s Glengarry Glen Ross, and
Jim
Parsons’s Harvey, it may or may
not make the initial cut.
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