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Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Friday, January 25, 2019

2019 Preview: Television

Written by Jon Williams

Last week we finally got a premiere date for the return of one of television’s most acclaimed and popular shows. On April 14, the eighth and final season of Game of Thrones will debut on HBO. The finale of season seven aired on August 27, 2017, so fans have been not-so-patiently waiting for nearly two years for it to return. Game of Thrones has become known over the years for its shocking plot twists, and the six-episode final season is sure to deliver plenty of drama and action as the fate of Westeros is decided.

A number of beloved shows are coming to an end in 2019. Out today on Netflix are the final six episodes of The Unbreakable Kimmy Schmidt, the award-winning comedy series created by Tina Fey. In the comedy realm, both Veep and Broad City will take a bow with one last season each. The currently airing season five of Gotham will be its last, while Elementary will wrap after its upcoming seventh season. The fifth season of zombie detective show iZombie will end that story. The streaming prison drama Orange Is the New Black will also come to a conclusion after its seventh season, while the action-packed spy series Homeland will finish with its eighth. Finally, Academy Award nominee Rami Malek is back for one last round of the acclaimed Mr. Robot as its fourth season will be its last.

However, for all the series coming to an end, there are a number of new shows premiering that will vie for the attention of viewers looking for something to watch. Coming next month is Miracle Workers, a Heaven-set comedy based on the novel What in God’s Name by Simon Rich and starring Steve Buscemi and Daniel Radcliffe. Also coming in February is Boomerang, which follows the 1992 Eddie Murphy movie of the same name. In March, look for Turn Up Charlie, a streaming comedy created by and starring Idris Elba as a washed-up DJ who takes on child care duties for his friend’s daughter. Horror fans can look forward to NOS4A2, a series based on the novel of the same name by Joe Hill. And later this year, live-action Star Wars finally comes to the small screen with The Mandalorian, a series created by Jon Favreau and set between Return of the Jedi and The Force Awakens.

There are also a number of limited series and one-time television events for viewers to look forward to. This weekend will see a live production of Rent, the popular musical that made its stage debut in 1996 and came to theaters in 2005. On Monday comes the first episode of I Am the Night, a six-episode miniseries starring Chris Pine and directed by Wonder Woman’s Patty Jenkins. In March, Cosmos: Possible Worlds, starring Neil deGrasse Tyson, follows up the popular 2014 scientific series that itself followed on Carl Sagan’s 1980 show. Beginning in April is a six-episode miniseries adaptation of Les Miserables, a non-musical version based directly on Victor Hugo’s 1862 novel. Then in May comes a live production of the musical Hair, which originally came to the stage in 1967 and was adapted for film in 1979.

And then there are the shows that are coming back for another season, but not ending. Next month The Walking Dead returns from its midseason hiatus, carrying on after the departure of Andrew Lincoln, whose character, Rick Grimes, has served as the show’s main character up to this point. When that season ends, the spinoff, Fear the Walking Dead, will return for its fifth season. American Gods, adapted from Neil Gaiman’s novel, returns for a second season in March. Also in March comes the fourth season of the Showtime drama Billions, while April brings the return of the acclaimed Killing Eve. This year will also see the long-awaited third season of the hit sci-fi/horror series Stranger Things after a nearly two-year wait.

Television is in the middle of a golden age, with so many quality shows that it’s difficult to keep up with everything. With so many viewers perfectly content to sit down for marathon binge-watching sessions, you can help keep your patrons happy and entertained for hours on end by making sure your television collections are robust and up to date. Use the links above or SmartBrowse on our website to find more, and let us know what you and your patrons are looking forward to watching in 2019.

Friday, March 23, 2018

TV Revivals Are All the Rage

Written by Jon Williams

Next week, on Tuesday, March 27, Roseanne will return to television screens. The beloved sitcom originally ran for nine seasons from 1988 through 1997. Now it’s coming back with a nine-episode season that will feature the show’s original cast—which creates some interesting dilemmas, since two actresses played the character of Becky (the second, Sarah Chalke, will appear as a different character) and Dan, played by John Goodman, died in the original final season of the show (he’s back). Other familiar faces returning to the show include Laurie Metcalf, fresh off her Academy Award nomination for Lady Bird, Sandra Bernhard, Big Bang Theory star Johnny Galecki, and, of course, Roseanne Barr herself.

Television is widely considered to be in a new golden age, with an incredible amount of high-quality content being created. With the rise of streaming services producing shows of their own in addition to more traditional cable and broadcast channels, competition for viewers is at an all-time high, and the television industry is frequently looking to the past to fill its slate. Everything old is new again as reboots and revivals, like Roseanne, are popping up everywhere. Another popular sitcom that has returned is Will & Grace, which originally aired from 1998 through 2006. After a ten-minute one-off proved to be wildly popular in 2016, the show was brought back to series in the fall of 2017. The first revival season will come to a close next week, and the show has already been renewed for a second and third season. Likewise, Full House, which ran from 1987 through 1995, has been brought back as Fuller House, following the adult lives of the characters who were children in the original show. The new show is three seasons in and going strong.

The phenomenon isn’t limited to sitcoms. Earlier this week, the second revival season of The X-Files came to a close. Originally running from 1993 to 2002, the sci-fi series about a pair of FBI agents tracking down leads on alien visitation was brought back for a six-episode limited event series in 2016 before this year’s ten-episode set. With Gillian Anderson bowing out and David Duchovny open to returning, it’s unclear if the show will continue further. In the drama category, Twin Peaks was also revived for a limited event series in 2017 following two seasons in 1990-91 and the movie Fire Walk with Me in 1992. And the dramedy series Gilmore Girls was brought back for the four-episode miniseries A Year in the Life in 2016 following its original seven-season run from 2000 through 2007.

And there are more revivals in the works. It was recently announced that Murphy Brown will be back on television later this year, with Candice Bergen and the show’s original cast returning to explore the state of television journalism in the current climate. Although nothing has been finalized, Paul Reiser and Helen Hunt are in talks to team back up for new episodes of Mad About You, nineteen years after that show’s seeming end. And don’t forget about reboots, in which series concepts are reused in different, usually updated circumstances, starting with a new cast. Some of those we can look forward to include Cagney & Lacey, Magnum P.I., Charmed, The Greatest American Hero, and Lost in Space, not to mention recent rumors about Buffy the Vampire Slayer.

With all of these classic shows returning to small screens in one form or another, and more sure to follow, patrons will be looking for the original shows to catch up or just to relive old favorites. You can find them on our website, and count on us to bring you the revivals and reboots as they become available. Are there any other series no longer on the air that you’d like to see brought back? If so, keep the faith—it just might happen!

Friday, January 13, 2017

A Lot to Look Forward to in 2017

Written by Jon Williams

The new year is upon us. We noted before 2016 ended that it was, in many ways, a difficult year in pop culture. With the beginning of 2017, however, we have an opportunity to wipe the slate clean, to rinse out whatever bad taste might be lingering in our mouths, and get a fresh start. With that in mind, here are just a few of the cool pop culture projects on the horizon for this year.

For your patrons who like superheroes, there’s a lot to be excited about. It starts in March with Logan, which will be star Hugh Jackman’s last hurrah as Wolverine. In May, the second volume of Guardians of the Galaxy will follow up the 2014 blockbuster detailing the first adventure of the galactic team of misfits. Then in June, Spider-Man: Homecoming gives a solo adventure to Tom Holland as the webslinger, following his scene-stealing appearance in last summer’s Captain America: Civil War. Later in the year, Thor: Ragnarok sees Chris Hemsworth return as the god of thunder for his first standalone since The Dark World. For those who prefer DC to Marvel, fear not: Wonder Woman gets her own movie in June, as Gal Gadot builds upon her small role in Batman v. Superman: Dawn of Justice. In November, the DC heroes come together for Justice League, much like Marvel’s The Avengers.

Quite a few popular films and series have sequels or new installments coming to theaters in 2017. Keanu Reeves is back for a second action-packed round of John Wick in February. The Fast and the Furious gang is back in April for the highly anticipated The Fate of the Furious. May’s Alien: Covenant brings Ridley Scott back to the director’s chair for a movie that bridges the gap between Prometheus and Alien. The popular rebooted Planet of the Apes series continues in July with War for the Planet of the Apes. October’s still-fairly-mysterious God Particle is the third installment of the Cloverfield series. In December, the Barden Bellas return for a third Pitch Perfect movie. And one of the most anticipated movies of the year also opens that month: the as-yet-untitled Star Wars: Episode VIII, which will pick up where The Force Awakens left off.

The Force Awakens itself, of course, is a series continuation, coming after—depending on your point of view—1983’s Return of the Jedi or 2005’s Revenge of the Sith. Either way, it was a long time for fans to wait. The same can be said for a pair of long-awaited sequels finally coming in 2017. First up is T2 Trainspotting, which sees Ewan McGregor and the rest of the cast from the beloved 1996 original return and reunite. Then, in October, Harrison Ford resurrects yet another of his iconic characters for Blade Runner 2049, which comes 35 years after its sci-fi masterpiece predecessor.

There are also some intriguing book adaptations on the way. Coming later this month is A Dog’s Purpose, and who’s not a sucker for a good dog story? That’s followed next month by Fifty Shades Darker, the second installment in the publishing (and now film) phenomenon by EL James. Christian audiences can look forward to The Shack in March, based on William Paul Young’s 2007 bestseller. The hit young adult novel Wonder by R.J. Palacio comes to theaters in April, starring Room’s Jacob Tremblay. In October, Jo Nesbo’s bestseller The Snowman becomes a big-screen adventure. And there is also a pair of highly anticipated Stephen King adaptations on the way. First up, at the end of July, is The Dark Tower, based on his multi-book magnum opus. In September, there’s It, one of his most popular books, which was previously made into a TV miniseries in 1990.

But that’s not all! In addition to movies, television (including streaming services) has become a hot place for book adaptations to land. Available today on Netflix is A Series of Unfortunate Events, from the popular kids’ fantasy series. Rationing out those eight episodes will help pass the time until April, which is a big month. On April 26, Margaret Atwood’s dystopian The Handmaid’s Tale comes to Hulu. On the 30th, NBC will premiere Midnight, Texas, based on a series by Charlaine Harris, who also wrote the books that HBO’s True Blood was based on. Also that month, Neil Gaiman’s fantasy epic American Gods will debut on Starz. Then, at some point later this year, HBO will have Cormoran Strike, a limited 7-hour series adapted from Robert Galbraith/J.K. Rowling’s mystery novels The Cuckoo’s Calling, The Silkworm, and Career of Evil.

So that’s just a scratch of the surface of what’s coming in 2017, and that’s without venturing into music or audiobooks. Please let us know what you and your patrons are most looking forward to in the comments section below.

Friday, March 13, 2015

Small-Screen Superheroes

Written by Jon Williams

These days, when you think of superhero-based entertainment, what comes to mind first is likely the big-budget blockbuster like The Dark Knight or Guardians of the Galaxy. While those movies garner a lot of attention—and for good reason!—there’s plenty to be excited about for fans looking for more regular installments in their favorite stories. There’s a long and stories tradition of superhero shows on TV, and that trend shows no sign of slowing down anytime soon.

I mentioned The Dark Knight because, of course, Batman is one of the most popular superheroes. Making his DC Comics debut in 1939, the Caped Crusader finally came to television in 1966. Adam West and Burt Ward played Batman and Robin, the Boy Wonder, and the series also included iconic turns from Burgess Meredith, Cesar Romero, and Julie Newmar and Eartha Kitt as frequent adversaries. The lighthearted tone of that series differed greatly from the darker, grittier portrayals seen in the Michael Keaton and Christian Bale movies, as well as from the Gotham TV series currently airing on Fox.

Making his debut just before Batman, Superman has been a sometime ally and sometime adversary to his DC Comics counterpart, such as in the upcoming movie Batman v Superman. A cultural icon, the Man of Steel has been through many television iterations, beginning in 1952 with Adventures of Superman, which featured George Reeves donning the cape. In 1988, The Adventures of Superboy followed Clark Kent and his alter ego in his youth, while in 1993, Lois & Clark dealt with Superman’s adventures as well has his relationship with Lois Lane (actress Teri Hatcher’s big break). Following on the heels of that show’s popularity, Smallville, in some ways similar to Superboy, explores Clark Kent’s origins and younger days.

It’s worth nothing that yet another DC Comics character, Wonder Woman, also had a series from 1975-1979 featuring the Amazon warrior princess. There have been considerably fewer series featuring characters from Marvel Comics, at least until Agents of S.H.I.E.L.D. hit the airwaves in 2013. A notable example, though, is The Incredible Hulk, which ran from 1978 to 1982 and starred Bill Bixby as scientist Bruce Banner and Lou Ferrigno as the green behemoth he changes into during moments of intense anger. A TV movie continuation, The Incredible Hulk Returns, was originally intended as a setup for a series featuring Thor, another Marvel superhero, but that never panned out.

DC and Marvel have been the source for so much superhero lore in pop culture, but there are a number of other tales as well. One of my favorite shows as a kid was The Greatest American Hero (currently unavailable), about a hapless everyman who comes to possess a suit that bestows a number of powers—but, unfortunately, he loses the instructions and has to figure it out as he goes along. It also featured one of the all-time great TV theme songs, “Believe It or Not” by Joey Scarbury. A similar premise underlies the more recent series Heroes, in which seemingly ordinary people discover their own superpowers. The show concluded in 2010, but a 13-episode follow-up is scheduled to air this fall on NBC.

For those who love their superheroes, there are obviously plenty of options to choose from, and more on the way. In addition to current shows like Arrow and The Flash, there are any number of shows coming soon, such as Powers, a superhero detective drama starring Sharlto Copley and Eddie Izzard, and Constantine, a series featuring the DC Comics character played on the big screen by Keanu Reeves. In addition, there will be a number of further additions to the Marvel universe, like Daredevil and AKA Jessica Jones, both of which will be offered by Netflix. So which of these older shows do you love, and which of the new ones are you looking forward to?

Wednesday, January 14, 2015

Golden Globes Reflect Changing Face of Television

Written by Jon Williams

If you watched the Golden Globe awards ceremony on Sunday night—or even if you just perused the list of winners on Monday morning—you may have noticed something a little odd on the television side. Despite garnering a fair number of nominations, the major over-the-air networks (ABC, CBS, FOX, and NBC) did not take home a single award. Instead, the shows celebrated for their excellence were all from non-traditional, premium cable, or streaming services.

Non-network stations did quite well for themselves. In fact, the CW, jointly operated by CBS and Time Warner, was the closest thing to a major network to come away with the win. The channel, which is generally aimed at a young adult audience, earned its first major award nomination and win, with Gina Rodriguez taking home Best Actress in a TV Comedy for her portrayal of the title character on Jane the Virgin (which is not yet available on DVD/Blu-ray). Also winning awards were Downton Abbey (Best Supporting Actress Joanne Froggatt) and The Honorable Woman (Best Actress in a Miniseries Maggie Gyllenhaal); both were produced for British television and aired on this side of the pond via PBS and SundanceTV, respectively. Finally, FX’s television reboot of Fargo won two awards: Best Miniseries and Best Actor in a Miniseries Billy Bob Thornton.

The streaming services also won big on the night. Kevin Spacey, star of Netflix’s powerhouse political show House of Cards, won the Golden Globe for Best Drama Actor just ahead of the release of Season 3 on February 27. Following in Netflix’s footsteps of developing original programming, Amazon had a winner on its hands this year with Transparent (not yet available), which took two awards: Best TV Comedy and Best Actor Jeffrey Tambor. The show’s full first season was made available to users in September, and it was recently renewed for a second season that will be released later this year.

The premium cable outlets also came away with three awards. With fifteen nominations, it seemed like something of an upset for HBO to end the evening with just one win, but that’s the way it went down. Their award was for Matt Bomer’s Best Supporting Actor turn in The Normal Heart. Also in something of a surprise, the award for Best TV Drama went to Showtime’s The Affair (not yet available), which also featured the night’s Best Drama Actress, Ruth Wilson.

This shift in where the best shows call home is indicative of a shift in the way viewers watch television. Fading are the days of being in front of a television at a certain time on a certain day to catch the latest episode of a favorite show. More and more, it seems that viewers prefer the freedom of watching episodes at their leisure, or being able to watch multiple episodes at once, as soon as the season “starts,” and these non-network outlets are capitalizing on that. Along those lines, this column on the Huffington Post has an interesting (if non-scientific) note on most-recommended series for binge watching, including a breakdown along gender lines (which, apparently, do not diverge as much as you might expect).

The takeaway? It’s true: non-network shows are the hottest right now. In addition to this year’s crop of Golden Globe winners, make sure you’re stocking seasons of shows like Game of Thrones, Breaking Bad, Orange Is the New Black, and The Wire for your patrons who just can’t get enough, as well as for those who don’t have access to those channels or services.

Wednesday, February 12, 2014

The Wonder Years Finally Coming to DVD

Written by Jon Williams

Watching TV shows on DVD is a trend that has really caught on in recent years, and contemporary shows have really taken advantage, with new seasons or complete series usually being released on disc shortly after their initial television run. Did you miss Friday Night Lights or Breaking Bad when they aired (or just want to see them again)? No problem. Do you need to catch up on Game of Thrones or True Blood before the new seasons begin on HBO? You can do that too.

With older shows, it can be a little harder. While a great many have come to DVD over the years, there are plenty that devoted fans are still waiting for. One of the most highly sought-after series that has not yet come to DVD is The Wonder Years, which aired from 1988 to 1993. Starring a young Fred Savage, the show portrayed the trials and tribulations associated with growing up and coming of age in the U.S. in the turbulent 1960s. It explored themes of sibling rivalry, family struggles, first love, and friendship against the backdrop of Vietnam and the space race.

Well, it appears the wait is almost over. It was announced yesterday that Time Life is finally bringing the complete series to disc. Although an official release date has not yet been nailed down, plans are for it to be in “the second half of 2014.” This isn’t the first acclaimed older show that Time Life has brought to DVD—they’re responsible for the recent release of China Beach, among others.

Considering The Wonder Years was a show about youth in the ‘60s, it was only natural that music played a large part in the show. That has contributed to the delay in bringing the show to DVD, as it was necessary to secure rights to all those songs in order to include them in a new release. Time Life is working on that, ensuring that the upcoming DVDs will come with all the music intact—including the theme song, Joe Cocker’s cover of “With a Little Help from My Friends,” originally recorded by the Beatles.

With fans waiting so long for this release, demand is sure to be high. Keep your eye on our website for more information on a release date as it comes available.

Friday, April 12, 2013

Arrested Development Returns

Written by Jon Williams

Bluth fans rejoice—Netflix has announced a May 26 release date for the fourth season of Arrested Development. The comedy series, which stars Jason Bateman, Jeffrey Tambor, Portia de Rossi, Will Arnett, and Michael Cera as the dysfunctional Bluth family, ran for three seasons on the Fox network. It was cancelled in 2006 despite critical acclaim and a legion of die-hard fans. That dedicated audience played into Netflix’s decision to revive the series.

Likewise, there’s good news for fans of Veronica Mars. Like Arrested Development, Veronica Mars ran for three years as a series, on UPN and the CW. Kristen Bell starred as a high school college student who spent her free time working as a private investigator. The show ended in 2007. Although it has not been picked up as a new series, it has been announced that a feature-length movie is in the works. The effort to make the movie was helped by the crowdfunding website Kickstarter, which many believe may become a force in the creation of many future films.

Here are a few other shows ripe for a revival.

Friday Night Lights: In the words of Tim Riggins, “Texas forever.” Leaving behind the world surrounding high school football in Dillon, Texas, wasn’t easy for anyone. Talk of a movie has been around since the series’ five-season run ended in 2011, but those plans are still up in the air.

24: The show went off the air in 2010, but the world still needs Jack Bauer. Movie talks have also swirled around this popular show since its end. Take heart, though: the latest word from Kiefer Sutherland indicates that plans are moving forward, possibly to begin filming this summer. Stay tuned.

Firefly: This short-lived (just one season?!) TV show dealt with the exploits of a band of pirates in space. It actually did spawn a movie follow-up, Serenity, in 2005, but that still isn’t enough for those who love the show. Something tells me if Joss Whedon launched this show today, it might get a little bit more of a chance.

Smallville: OK, so this show, about Clark Kent’s coming of age as Superman, enjoyed a full ten-season run. Still, fans were hoping that star Tom Welling would get the chance to feature in a big-screen blockbuster. They’ll have to content themselves with Henry Cavill as the Man of Steel, in theaters June 14.

What are some shows you’d like to see resurrected, either as films or back in production as series? Let us know in the comments section below.

Friday, February 22, 2013

Cures for Downton Abbey Withdrawal

Written by Kyle Slagley

Another season with the Dowager Countess has come and gone. I won’t spoil it for you, in case you haven’t yet seen the season finale, although chances are your patrons may have already done so. Season four will likely begin airing in the UK in late October or early November, but that means that even those of us who happen to be Internet-savvy will have to wait months before getting our fix of aristocratic dramatics.

Julian Fellowes, the creator of Downton Abbey, has been tapped by NBC to create a new show called The Gilded Age. The show will chronicle the rich and powerful of New York in the late 1800s. Although we have no idea when the show will begin filming, period dramas are all the rage right now.

My favorite miniseries, aside from Downton Abbey that is, is set in the relatively recent past during World War II. A far cry from the prim and proper nature of Grantham estate, Band of Brothers ran in 2001 and starred Damian Lewis as Major Richard “Dick” Winters. This series is frighteningly realistic in just about every way imaginable, including the graphic nature of the wounds. I own the series and also the book; both are fantastic.

For those who like to go further back in history, try The Tudors, starring Jonathan Rhys Meyers. Meyers stars as the corrupt, promiscuous, and slightly insane Henry VIII, and through the series viewers get to watch the drama and deception unfold in the King’s court. The series follows King Henry through his attempts to divorce Catharine to marry Anne Boleyn, and the political turmoil that results. With four seasons and great acting, there will be enough to keep you entertained for quite a while.

If you want to stick with turn-of-the-century England, I highly recommend The Forsyte Saga, which brings us back to Damian Lewis, this time as Soames Forsyte. Soames is a well-to-do solicitor who, through the course of two series totaling 14 episodes, falls out of love with his wife and remarries a Frenchwoman named Annette. The series begins in the 1870s and ends in the 1920s. At only 14 episodes, it won’t last very long, but it’s well worth it.

Finally, there is the series Upstairs, Downstairs. The premise is similar to that of Downton Abbey: the show is set in London in the 1930s and details the relationships of the wealthy upstairs as compared to the servants downstairs. The 2010 series is actually a revival of the award-winning series from the 1970s that won BAFTAs, Emmys, and Golden Globes. The original series lasted five seasons, and the revival for two. Between the two, you should be able to get your fix for quite a while.

Monday, January 14, 2013

70th Annual Golden Globe Awards

Written by Kirk Baird

Even as Lincoln’s 12 Academy Award nominations made the Civil War drama the prohibitive favorite for the Feb. 24 Oscars, Sunday night’s 70th Annual Golden Globe presentation might have shaken things up.

The Iran hostage drama Argo took the Golden Globe for best motion picture as well a trophy for the film’s director, Ben Affleck, who was not nominated for an Oscar. Lincoln and director Steven Spielberg were Golden Globe nominees in both categories.

Lincoln’s Tony Kushner also lost in the best screenplay category to Quentin Tarantino (Django Unchained), Lincoln co-stars Tommy Lee Jones and Sally Field lost the best supporting actor and actress categories, respectively, to Christoph Waltz (Django Unchained) and Anne Hathaway (Les Miserables), and Lincoln composer John Williams lost best original score to Life of Pi’s Mychael Danna.
Daniel Day-Lewis, as expected, won the Golden Globe for best actor in a drama for his powerful and moving performance as Lincoln.

Overall, Lincoln was nominated for 7 Golden Globes but won only one.

While Spielberg’s film stumbled at the awards show, the lavish musical Les Miserables triumphed. In addition to Hathaway’s expected win, the adaptation of the stage musical based on Victor Hugo’s 1862 French historical novel won for best musical or comedy and best actor in a comedy or musical (Hugh Jackman).

Jessica Chastain won the best actress in a drama for Zero Dark Thirty. And Jennifer Lawrence won the best actress in a comedy or musical for Silver Linings Playbook.

Rounding out the film winners as voted by the Hollywood Foreign Press Association, Brave won for best animated feature, Amour won best foreign language film, and Adele’s “Skyfall” won for best original song in a film.

For television, Showtime’s espionage drama Homeland was the big winner, winning best television series drama, best performance by an actress in a TV series drama (Claire Danes), and best performance by an actor in a TV series drama (Damian Lewis). HBO’s new series Girls took trophies for best television series comedy or musical, and best performance by an actress in a TV series comedy or musical (Lena Dunham), while Don Cheadle from Showtime’s House of Lies won best performance by an actor in a TV series comedy or musical.

Best miniseries or motion picture made for television went to HBO’s comedy-drama Game Change, about the 2008 GOP presidential campaign, and to the film’s star Julianne Moore as Sarah Palin for best performance by an actress in a miniseries or motion picture made for television, and to co-star Ed Harris as John McCain for best performance by an actor in a supporting role in a series, miniseries or motion picture made for television.

Kevin Costner won the best performance by an actor in a miniseries or motion picture made for television Golden Globe for Hatfields & McCoys. And Maggie Smith won for best performance by an actress in a supporting role in a series, miniseries or motion picture made for television for Downton Abbey: Season 2.

Wednesday, August 8, 2012

Marathon TV Sessions on the Rise

Written by Kirk Baird

TV is continuing its comeback to relevancy, with cable channels leading the charge with movie-level quality shows that often break new ground or, at the very least, buck decades-long network programming trends. The Wire. The Sopranos. Breaking Bad. The Walking Dead. Dexter. Battlestar Galactica.

These are just a few examples of appointment TV, critically praised fare that have entered our cultural zeitgeist. And if you missed or are missing these popular shows, you often are left out in the all-important water cooler chat the next day at the office, or on Facebook with friends and family.

But an increasing trend is changing that — thanks to DVD/Blu-ray box sets and even DVRs: binge viewing, a marathon session of a season or seasons of a TV show consumed in hours, days, and sometimes a week or more.

Binge viewing, aka binge watching or simply bingeing, is a new term coined for a trend that has been happening for a while. A few years ago, for instance, I spent a weekend holed up watching back-to-back seasons of an obscure Japanese animated series, Star Blazers, while my wife was out of town. It was just me on the couch for hours and hours and hours staring at the TV and desperately reliving a part of my childhood.

Binge watching doesn’t have to be personal, either. I knew a TV critic who opted to review the first season of Fox’s action-thriller series 24 — conceived as a “real-time” show with every hour-long episode an hour in the plot’s 24-hour timeframe — by gorging on a single 19-hour-plus marathon of the show. If memory serves, he had snacks at the ready and only took the occasional break for the call of nature.
Neither of us knew it at the time, of course, but we were bingeing.

For the purposes of this blog I opted to binge watch the first season of AMC’s acclaimed zombie series The Walking Dead. Of course, there are only six hour-long episodes in that initial season, which made for an easier-to-manage marathon than a 20-season binge. But the concept was the same: get caught up on a popular TV show without taking a week off or more between episodes.

Comparing The Walking Dead mini-binge to the all-weekend gorge fest of Star Blazers, I found that bingeing, whether in small bundles of hours or in wholesale bulk of days, offers the same rewards. There’s no interruption in continuity. There’s quick payoff to plot twists. There’s almost no chance of losing your place and forgetting characters and major or minor story twists. And, perhaps best of all, there’s a profound since of self-satisfaction when you’re finished, a strange sense of accomplishment.

Binge watching is not for the faint of heart — or those with calendars filled with activities. It’s a major commitment (and investment) of your time, but the reward is cramming an acclaimed TV series you’ve heard about and watching it on you’re time. Consider it speed reading through a semester of Brit Lit.

If you’ve never tried bingeing, perhaps consider some of these shorter TV series to get started.

The Walking Dead, Season One. Again, only six episodes in this eerie drama about a world overrun by zombies.

The Office (the British version). This 10th Anniversary Edition features all 12 episodes and a two-part Christmas Special.

Breaking Bad, Season One. The new season is about to kick-off, and this six-hour first season, which chronicles the origins of a high school chemistry teacher-turned meth dealer, is a great way to test the waters of whether or not you’re ready to make the commitment for seasons two through four.

Dexter, Season One. Try this 12-episode season and see if you don’t get hooked on the hour-long drama about a serial killer who preys on other killers, and binge on seasons two through six.

And then move up to these shows.

The Wire, Complete Seasons One-Five: This tense drama about the Baltimore drug scene is arguably the finest TV show ever.

Monty Python’s Flying Circus: Complete TV series. Nearly 30 hours of classic sketch comedy, from the Dead Parrot and The Lumberjack to The Cheese Shop and The Argument Clinic. Try watching all the shows in a single weekend.

The West Wing, Seasons One through Seven. If you haven’t already, check out Aaron Sorkin’s masterpiece of drama, political commentary, and sensational dialogue set in the White House.

Battlestar Galactica (the 2005 series). I was skeptical of the reboot of the TV series from the late 1970s. The two-part miniseries pilot didn’t win me over, either. Then the series began in earnest and the show’s writers used a science-fiction series about humans fleeing through space from their robotic oppressors as a platform for social and political commentary on our world now, and I changed my mind. Battlestar Galatica only got better through its remaining three seasons.

Lost. I have a friend who missed the show and recently decided to binge through the entire twisty (and sometimes painfully illogical) six-season series about survivors of a plane crash trapped on a strange island through the summer.

Binge watching doesn’t just have to be for TV shows. Also consider watching these movies series back-to-back-to-back.

The Star Wars saga: Episodes I through 6. I did just that with the Blu-ray release in September. The good news with this strategy is you get The Phantom Menace out of the way first.

The Lord of the Rings trilogy. Peter Jackson’s extended cut version of the movies, which piles on a hefty two hours of additional footage between the three films, was just released on Blu-ray. Watching the films alone is a nearly 12-hour commitment, and there’s several DVDs of bonus material to comb through as well.

The Harry Potter films. Watch the series get better and better – along with the acting – through the eight films, including the two-part finale.

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